"COMPLETE RIDER" YOUR #1 HORSE DESTINATION

 

CHECKING THE MAIL

By SUSAN DUDASIK

Checking the mailbox is one of those tiny, routine activities we all take for granted. There’s nothing difficult or exciting about it unless you’re trying to do it from the back of a 1,200 pound horse in the middle of a showring while under the eagle-eye of a judge and all your peers. Then, the mailbox suddenly turns into a horse-eating monster.

One of my most enjoyable parts of working with 4-H youth is that I have a large variety of riders and horses to observe. And, by observing them I learn a lot about rider/equine relationships, especially how they work obstacles like the mailbox. One of my most common observations is that most often, it’s not the equine that goofs up, but the rider. We all get nervous when showing so we must learn how to recognize and counteract that nervousness. How often does your horse do perfectly when practicing the mail box, then fall apart in the ring? This isn’t uncommon. Often when you have to stop and stand to work an obstacle, you worry that your horse might not stand or he‘ll move around. The more you worry about this, the better chance there is of it happening. So, to counteract this, you need to change your focus from the mailbox to standing. Remember, break all obstacles down to individual moves. Step one is stopping, then standing. If you focus on standing for about a minute at a time next to all kinds of things, standing next to a stick with a box on it will be no problem.

Working on this will also help you conquer the second problem, going too fast. Contrary to what some think, Trail is not a speed class. You can stand and settle your horse for a few seconds before working the mailbox, this applies to gates and other obstacles as well. Once you’re lined up next to the mailbox, ask your horse to stand, then take a deep breath before reaching for the mail. This will only take a few seconds and has a calming effect on you and your horse as well as giving a smooth, relaxed look to your performance. While you’re settling, you can also switch your reins to the other hand so you don’t end up reaching across your horse and your reins to open the mailbox. Just remember to switch rein hands again before you ride off, since you must have the reins in the same hand that you had them in when you entered the arena. This is a common mistake among novice showers. They think they can’t change hands to work an obstacle. You can, as long as they are back in the original hand before you ride off. Another common novice mistake is to drop the reins completely or wrap them around the saddle horn. This is a definite no-no. Keep hold of the reins at all times!

Another common problem riders have on the mailbox obstacle occurs before they even get to the obstacle. It happens on the approach. The pattern says “trot to mailbox, check for mail. Walk to next obstacle.” Let’s do this with two different riders, both on the same horse. Rider A stares at the mailbox as she approaches it. Then, realizing she’s there, jerks the horse to a stop about two feet from the mailbox. Before he’s completely stopped, she leans out to reach the mailbox. As she does, she’s unaware that because she’s leaning so far, she’s actually cueing her horse to move away from the obstacle. Frustrated she tries to pull him back in position and is eventually able to grab the mail. She then takes the mail and wildly flaps it in the air and right between the horse’s ears. By now, the horse is getting up set, rider is getting angry at the horse and obstacle is about to be demolished!

Now, rider B on the same horse. As she’s trotting toward the mailbox, she’s looking forward and judging her distance. About five strides from the obstacle, she gives a light squeeze on the reins, slightly slowing her horse and letting him know he’s about to stop. Three strides from the obstacle she closes her hands on the reins, braces her back and asks her horse to stop. He does, right next to the mailbox. The rider stops for a second and while taking a deep breath, checks her position to the box. Noticing she’s a bit too far away, she quietly cues her horse for a few sidesteps. When the horse’s in a position that allows the rider to sit fairly straight and still reach the mailbox, she bends from the waist, keeping her legs balanced on the horse’s sides, and opens the box. She then calmly takes the mail out, holding it for the judge to see. After replacing the mail, she remains standing still for a second, gathers her reins then lightly cues her horse to walk forward.

Both riders are riding the same horse and doing the same obstacle but have very different out comes. Why? Because rider A was nervous and in too much of a hurry. Remember, horses don’t like to be rushed or forced. Rider B used this to her advantage. She gave the horse plenty of notice that he was to slow down. She gave him a second to realize the mailbox wasn’t going to eat him so he was willing to sidestep closer to it. She trusted he would stand and didn’t give him mixed cues when she leaned over to get the mail. She was working with the horse and they were a team.

Showing, especially in trail events, should be a fun, relaxed experience for you and your horse. If he’s acting really different at the show than he does during your training sessions at home, you might want to slow down and review what you are doing. At your next show, have someone video or even take still shots of you working each obstacle. Study the pictures and see if maybe it’s something you’re unknowingly doing that’s causing your horse to react differently. Often it’s just making a little change like sitting for a few seconds before starting the obstacle or not leaning so far over to do something that can mean the difference between placing or leaving empty-handed.

 

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Susan Dudasik
Shadow Rider Equine News
srider@salmoninternet.com
Member: Idaho Press Club
North American Saddle Mule Association


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This young rider demonstrates a variety of problems the novice rider has when working a mailbox. She’s leaning forward and pulling back on the reins, as she leans toward the obstacle. Her horse doesn’t know whether to go forward, back or sideways. She needs to stop everything, take a deep breath and start over again.

Photo by Susan Dudasik.

 

 

 


Here Elaine Johnson and her mule, Calladan, are too far from the mailbox. By leaning over, she’s putting weight on her left hip and pushing her left leg into the mule’s side, unintentionally cueing Calladan to sidepass to the right, away from the mailbox.

Photo by Susan Dudasik.

 

 

 


Though still a bit too far away, Elaine is leaning from the shoulders, which keeps her weight more balanced and her legs from clear of Calladan’s sides.

Photo by Susan Dudasik.